Paragraph: (Wiki_articles-paragraphs-wikiAlbrecht Durer-9.txt)
Sent 1: The Venetian artist Jacopo de' Barbari, whom Durer had met in Venice, visited Nuremberg in 1500, and Durer said that he learned much about the new developments in perspective, anatomy, and proportion from him.
Sent 2: De' Barbari was unwilling to explain everything he knew, so Durer began his own studies, which would become a lifelong preoccupation.
Sent 3: A series of extant drawings show Durer's experiments in human proportion, leading to the famous engraving of Adam and Eve (1504), which shows his subtlety while using the burin in the texturing of flesh surfaces.
Sent 4: This is the only existing engraving signed with his full name.
Sent 5: Durer made large numbers of preparatory drawings, especially for his paintings and engravings, and many survive, most famously the Betende Hande (English: Praying Hands, c.
Sent 6: 1508 Albertina, Vienna), a study for an apostle in the Heller altarpiece.
Sent 7: He also continued to make images in watercolour and bodycolour (usually combined), including a number of still lifes of meadow sections or animals, including his Young Hare (1502) and the Great Piece of Turf (1503, both also Albertina).
Question: When did Durer make his most famous preparatory drawing? (true/0)
Question: What sort of subjects were in Durer's artworks? (true/1)
Question: What is the only engraving signed with Durer's full name? (true/2)
Question: Which named works were made by Durer in Albertina, Vienna? (true/3)
Question: What was the name of the piece that Durer created that contained a signature of his full name? (false/4)
Question: What is the name of the only existing engraving signed with Durer's full name? (true/5)
Question: What caused Durer to begin his own studies and experiment with human features in his art work? (false/6)
Question: What pieces created by Durer are named in the paragraph? (true/7)
Last updated: Mon Apr 16 04:55:33 EDT 2018
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